“The problem is that Glee has bought into the myth of its own importance so thoroughly that it thinks raising an issue, then explaining what you should do in that situation, then going off to have Puck draw awesome rocker demons on his history final, is an adequate way to discuss serious topics. The show’s been doing this since the second season, but it’s grown even more pronounced this season. The series sees itself as a force for good in the world—and, yeah, if this episode helps one woman get out of an abusive relationship, that’s a good thing. But that doesn’t make the show good art or even good crappy television. It makes it painfully, woefully obvious art and crappy television.”